Set the disagreement
Dimensional Shift moves the wet voice from −50 to +50 cents. The offset stays put until you change it. The controls are calm; the interference has other ideas.
STATIC DETUNE / ANTI-CHORUS
Anti-Matter
A little shift in reality.
Blend your dry sound with a fixed, pitch-shifted companion. Stretch its arrival with Time Warp, let Attack swell it into the phrase, and pull the stereo edges apart. A second voice with a slightly different opinion.
$20 CAD
Checkout opening soon
Explore the Mixing Room ↘RAYFORM SONICSINSTRUMENT / 07
WINDOWS x64 / VST3Anti-Matter
GET TO KNOW ANTI-MATTER
Small details.
Big possibilities.
Reach for a control.
See where it takes the track.
Bring the whole chord
The pitch engine handles polyphonic material. Give guitars, keys or synth chords a detuned companion while keeping the input and output duration the same.
Keep your feet. Widen your orbit.
The dry attack passes straight through. Blend in the detuned voice, then use Spread to pull its left and right pitches in opposite directions. A short wet delay adds to the doubling.
Stretch the space between
Time Warp adds up to two seconds of delay to the detuned voice. Move its horizontal fader to send the second voice further down the timeline; the dry attack stays immediate.
Let the second voice bloom
Attack swells the wet voice into each phrase over up to one second, then sustains while you play. Low Cut shapes its bass and Output sets the blended level.
Two ribbons. One strange conversation.
Cyan and violet ribbons travel through the open glass channel, framed by brushed metal. Eight controls sit on the main panel, including the horizontal Shift and Time Warp faders.
THE MIXING ROOM
Less reading.
More listening.
Pull up a chair for Coffee’s Getting Cold. Shape a real stereo mix with AuraFlex and RFC-VCA, compare settings, and follow the sound.
The live session features browser editions of AuraFlex and RFC-VCA.
NOW PLAYING / AURAFLEX + RFC-VCA
Find your settings. Hear the difference.
A FEW PLACES TO START
Nudge reality a few cents sideways.
Give a guitar a second shadow
Start with a small Dimensional Shift and bring Blend up gently. A few cents can make a familiar chord feel pleasantly unfamiliar.
Rough up a polite synth
Feed in a sustained chord and mix the detuned voice against the original. Hear the beating change as you adjust the offset.
Leave a little space for the entrance
Add Time Warp, then soften the wet voice with Attack. Let a chord strike first and its detuned companion bloom behind it.
BEFORE YOU PLUG IN
The useful
little details.
- Version
- 0.5.0
- Platform
- Windows 10/11 x64
- Format
- VST3 + standalone
- Shift
- −50 to +50 cents; steady, fixed pitch offset
- Processing
- Mono, stereo and mono-to-stereo; polyphonic static detune
- Latency
- Immediate dry path; wet voice about 24.25 ms at 48 kHz
- Time Warp
- 0–2000 ms added wet delay
- Attack
- 0–1000 ms phrase swell with sustain
- Tone + width
- Spread 0–100%; wet Low Cut Off–500 Hz; Output ±12 dB
A FEW GOOD QUESTIONS
What gives Anti-Matter its character?
A fixed pitch offset against your original sound creates beating and thickness. Dimensional Shift holds the chosen pitch; Time Warp and Attack shape when its companion arrives.
Can I send a whole chord through it?
Yes. The engine is polyphonic, so it can shift several notes together. Your chord keeps its duration. Its sense of personal space may change.
How quickly does the signal get through?
The dry attack passes through immediately. The detuned voice arrives about 24.25 ms later at 48 kHz, adding a short doubling delay. At 100% Blend you hear the wet voice on its own.
What happens at zero cents?
With Time Warp and Attack at zero, zero cents gives you the immediate dry signal with Output trim. Turn up Time Warp or Attack to explore a delayed or swelling wet voice at the same pitch.
