Keep the source. Build the body.
Blend the bass enhancement alongside your original signal. Drive shapes its level-dependent response; Tune places the low-frequency focus.
BASS ENHANCER + HARMONIC EXCITER
A bass enhancer and harmonic exciter in one tactile rack. Build a little more foundation, bring the upper detail forward, and keep the original sound at the heart of the mix.
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Hear it in the Mixing Room ↘
GET TO KNOW AURAFLEX
Reach for a control.
See where it takes the track.
Blend the bass enhancement alongside your original signal. Drive shapes its level-dependent response; Tune places the low-frequency focus.
The Exciter section adds asymmetric harmonics. Find the presence with Tune, then blend in just enough detail.
Shape left and right independently or link them. Bass Mono Link builds a shared low-end enhancement while preserving the dry stereo signal.
Solo/Wet lets you audition the enhancement or work on a send. A/B, Copy, and output trim make comparisons easier.
THE MIXING ROOM
A real track. Real controls. Your ears in charge. Step into the Mixing Room, turn a few knobs, and find out what all the fuss sounds like.
Opens the Mixing Room session. Choose AuraFlex in the rack. Explore the browser editions of AuraFlex and RFC-VCA on a real stereo mix.

Find your settings. Hear the difference.
A FEW PLACES TO START
Start with the Bass section, bring the mix up gently, and use Tune to find the weight that fits the track.
Add a small amount of exciter to find presence. Use output trim for a fair comparison with the original.
Enable Solo/Wet on a return and blend your enhancement with the bus fader.
BEFORE YOU PLUG IN
A FEW GOOD QUESTIONS
The enhancement paths are added alongside the original signal. Solo/Wet removes the dry signal when you want to audition the effect or use it on a return. Your original sound still gets a seat on the spaceship.
Bass Mono Link derives the enhancement from the combined left and right input, then adds that shared foundation to both outputs while preserving the original stereo image. Just the bass enhancement is holding hands.
In a Windows x64 DAW with VST3 support. Put it on a track, a bus, or a parallel return, and follow the frequency.